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Drugs commonly shown in such films include cocaine, heroin and other opioids, LSD, cannabis (see stoner film) and methamphetamine. There is extensive overlap with crime films, which sometimes treat drugs as plot devices to keep the action moving. The following is a partial list of drug films and the substances involved.
The two drug-makers, nicknamed "cookers" in drug subculture slang, end up getting increasingly paranoid in the dark, isolated house. When a friend (who visits to bring supplies) tells them an urban legend about a horrible murder of a little girl in the old house, the couple gets increasingly afraid.
Spun is a 2002 American black comedy crime drama film directed by Jonas Åkerlund from an original screenplay by William De Los Santos and Creighton Vero, [2] based on three days of De Los Santos's life in the Eugene, Oregon drug subculture.
Super Fly is a 1972 American blaxploitation crime drama film directed by Gordon Parks Jr. and starring Ron O'Neal as Youngblood Priest, an African American cocaine dealer who is trying to quit the underworld drug business.
Films about substance abuse, use of a drug in amounts or by methods which are harmful to the individual or others. It is a form of substance-related disorder . Subcategories
Hunter S. Thompson's 1971 novel Fear and Loathing in Las Vegas employs multiple drug use as a major theme and provides an example of the drug culture of the 1960s. After various drug cultures came to prominence during the 1960s, 1980s and early 2000s, the internet provided a new location and medium where drug cultures could be born and propagate.
Repetitive drug use often alters brain function in ways that perpetuate craving, and weakens (but does not completely negate) self-control. Subcategories This category has the following 5 subcategories, out of 5 total.
From almost the beginning, Hollywood and independent studios got in on the action and produced a number of extremely lurid hippie exploitation (and/or hippie horror) films that were either supporting the subversive playful artistic side of the culture war, [2] or masquerading as cautionary public service announcements, but which were in fact aimed directly at feeding a morbid public appetite ...