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Big Men is a 2014 documentary film produced and directed by Rachel Boynton. It examines the oil industry, the development of a new oil field in West Africa, the accusations of corruption that follow, and the resource curse. The film follows Texas-based Kosmos Energy as it attempts to start oil production in the new Jubilee Field off the coast ...
The Normal Heart (2014) – drama television film depicting the rise of the HIV-AIDS crisis in New York City between 1981 and 1984 [111] Once in a Lifetime (French: Les Héritiers) (2014) – French drama film chronicling the relationship of a teacher with teenagers who have long since dropped out of the school system, based on a true story [112]
Michael Craig Ruppert (February 3, 1951 – April 13, 2014) was an American writer and musician, Los Angeles Police Department officer, investigative journalist, political activist, and peak oil awareness advocate known for his 2004 book Crossing The Rubicon: The Decline of the American Empire at the End of the Age of Oil.
Collapse, directed by Chris Smith, is an American documentary film exploring the theories, writings and life story of the controversial author Michael Ruppert (1951–2014). Collapse premiered at the Toronto International Film Festival in September 2009 and gained positive reviews from its viewers.
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On March 8, 2011, it was announced [7] [8] that Summit Entertainment, Participant Media, and Image Nation had acquired the film rights to The New York Times ' article "Deepwater Horizon's Final Hours", [4] [9] written by David Barstow, David S. Rohde, and Stephanie Saul, and published on December 25, 2010, about the 2010 Deepwater Horizon ...
Moments before the deadly crash of a charter jet on a Florida highway, three warnings about oil pressure problems in its two engines sounded, the National Transportation Safety Board said in a ...
In a review for The New York Times, Peter C. Baker called the film a "cultural landmark" for its uniquely sympathetic portrayal of eco-terrorism. [24] In another review for the newspaper, Ben Kenigsberg wrote that the film had "a degree of suspense and efficiency that are becoming all too rare in the mainstream."