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The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...
Metamorphosis or transformation is a unifying theme amongst the episodes of the Metamorphoses. Ovid raises its significance explicitly in the opening lines of the poem: In nova fert animus mutatas dicere formas / corpora; ("I intend to speak of forms changed into new entities;"). [24]
The poem consists of four quatrains in abab iambic pentameter. [4] A series of symbols, clouds, wind harps, describe the permanence in impermanence. The themes of transformation and metamorphosis and the transitory and ephemeral nature of human life and the works of mankind were also addressed in "Ozymandias" (1818) and "The Cloud" (1820). [5]
In "The Cloud", Shelley relies on the imagery of transformation or metamorphosis, a cycle of birth, death, and rebirth: "I change, but I cannot die." Mutability or change is a fact of physical nature. [1] Lightning or electricity is the "pilot" or guide for the cloud. Lightning is attracted to the "genii" in the earth which results in lightning ...
The fullest surviving and most famous ancient work about transformation in Greek myth is Roman poet Ovid's epic the Metamorphoses. Throughout history, the Metamorphoses has been used not only as a compendium of information on Ancient Greek and Roman lore, but also as a vehicle for allegorical exposition, exegesis, commentaries and adaptations ...
The book consists of poems that are based on old stories and tales in which she reshapes in terms of modern day culture. Duffy is known for her trait to take previous stories, tales, etc. and change them into her own "What you can do as a poet is take on a story and make it new" she once said to Barry Wood in an interview.
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Sailing to Byzantium" is a poem by William Butler Yeats, first published in his collection October Blast, in 1927 [1] and then in the 1928 collection The Tower. It comprises four stanzas in ottava rima, each made up of eight lines of iambic pentameter. It uses a journey to Byzantium (Constantinople) as a metaphor for a spiritual journey. Yeats ...