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Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Binary images are also called bi-level or two-level. Pixel art made up of two colours is often referred to as 1-bit in reference to the single bit required to store each pixel. [2] The names black-and-white, B&W, monochrome or monochromatic are often used, but can also designate other image types with only one sample per pixel, such as ...
The contrast ranges from black at the weakest intensity to white at the strongest. [1] Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.
Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]
Image:Map of USA-bw.png – Black and white outlines for states, for the purposes of easy coloring of states. Image:BlankMap-USA-states.PNG – US states, grey and white style similar to Vardion's world maps. Image:Map of USA with county outlines.png – Grey and white map of USA with county outlines.
Silhouette pictures could easily be printed by blocks that were cheaper to produce and longer lasting than detailed black and white illustrations. Silhouette pictures sometimes appear in books of the early 20th century in conjunction with colour plates. (The colour plates were expensive to produce and each one was glued into the book by hand.)
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
The majority of black-and-white infrared art, landscape, and wedding photography is done using orange (Wratten #15 or 21), red (#23, 25, or 29) or visually opaque (#72) [d] filters over the lens to block the blue visible light from the exposure. Very dark-red (#29) filters block out almost all blue, and visually opaque (#70, 89b, 87c, 72 ...