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The stave on which the notes are written is vertical so the music is read from top to bottom. Each note has its own individual position, low notes on the left and high notes on the right as on the piano. This stave consists of groups of two and three vertical lines corresponding to the black keys (notes) of the piano.
The earliest keyboard bass instrument was the 1960 Fender Rhodes piano bass, pictured to the right. The piano bass was essentially an electric piano containing the same pitch range as the most widely-used notes on an electric bass (or the double bass), which could be used to perform bass lines. It could be placed on top of a piano or organ, or ...
In a typical keyboard layout, black note keys have uniform width, and white note keys have uniform width and uniform spacing at the front of the keyboard. In the larger gaps between the black keys, the width of the natural notes C, D and E differ slightly from the width of keys F, G, A and B. This allows close to uniform spacing of 12 keys per ...
All note letter-names in this section refer to the bass clef; the notes remain in the same physical locations when the neutral clef is used. Rolls: Diagonal lines across the note stem (or above a whole note). Usually three diagonal lines denote a roll, whereas fewer would be interpreted as measured subdivisions of the note (two lines for ...
The only F-clef still in use is the bass clef, with the clef placed on the fourth line. Since it is the only F-clef commonly encountered, the terms "F-clef" and "bass clef" are often regarded as synonymous. Bass clef is used for the cello, double bass and bass guitar, bassoon and contrabassoon, bass recorder, trombone, tuba, and timpani.
The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)
The short octave was a method of assigning notes to keys in early keyboard instruments (harpsichord, clavichord, organ), for the purpose of giving the instrument an extended range in the bass range. The rationale behind this system was that the low notes F ♯ and G ♯ are seldom needed in early music.
Chord inversions and chords with other altered bass notes are notated analogously to regular slash chord notation. In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to ...