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Nevermind is the second studio album by the American rock band Nirvana, released on September 24, 1991, by DGC Records.It was Nirvana's first release on a major label and the first to feature drummer Dave Grohl.
Live at the Paramount is a live video and album by American rock band Nirvana, released on September 24, 2011.It was released on DVD and Blu-ray Disc as part of the 20th anniversary of the band's second album and mainstream breakthrough, Nevermind.
Name of song, writer(s), original release, producer(s) and year of release Song Writer(s) ... "Territorial Pissings" Kurt Cobain: Nevermind: Nirvana Butch Vig: 1991
Live at Reading marks the first time that Chet Powers received songwriting credit on a Nirvana release for the use of his lyrics from the song "Get Together" as the intro for "Territorial Pissings". Background
Two songs are from Nirvana's headline appearance at the Hollywood Rock festival in Rio de Janeiro, Brazil on January 23, 1993, which had an attendance of over 100,000 people in the audience. [ 5 ] Three of the songs " Aneurysm ," " Love Buzz " and "Territorial Pissings" are edits of two different versions each, with the Paradiso, Amsterdam ...
"Territorial Pissings" – 2:45; October 31, 1991 show at the Paramount Theatre, Seattle, Washington. "Jesus Doesn't Want Me for a Sunbeam" (Eugene Kelly/Frances McKee) – 3:32; October 4, 1992 show at the Crocodile Cafe, Seattle Washington. "Talk to Me" – 3:35; January 22, 1993 studio session at BMG Ariola Studios, Rio de Janeiro, Brazil.
"On a Plain" is a song by American rock band Nirvana, written by vocalist and guitarist, Kurt Cobain. It is the 11th track on their second album, Nevermind , released in September 1991. The song was released as a promo single in 1992, peaking at number 25 on Billboard 's Alternative Songs chart.
The song is composed in the key of A major, while Kurt Cobain's vocal range spans two octaves and five notes, from the low-note of F# 4 to the high-note of B 6. [12] The song follows a basic sequence of A 5 –C# 5 –F# 5 –B 5 in the verses and alternates between the chords of D 5 and B 5 during the refrain as its chord progression. [12]