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Illicit Affairs" is a folk love song driven by an acoustic guitar. [ 5 ] [ 6 ] [ 7 ] At three minutes and ten seconds, it is the shortest track on Folklore . [ 8 ] The production incorporates electric guitars, live drums, bass, keyboards, accordion, saxophones, [ 3 ] pedal steel guitar, [ 9 ] finger-picked strings, [ 10 ] and soft horns. [ 11 ]
"The Last Great American Dynasty" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). The life of the American socialite Rebekah Harkness, who once lived in Swift's Rhode Island mansion, inspired her to write the song.
"No Body, No Crime" is three minutes and thirty-five seconds long. [13] Music journalists identified it as a murder ballad and a breakup song that features a midtempo rhythm; they categorized the track as Americana, country, country rock, and country pop.
A songbook with the chords and lyrics to the album Who Killed Amanda Palmer; Von Buhler, Cynthia; Palmer, Amanda; Webley, Jason (2011). Evelyn Evelyn (illustrated ed.). Diamond Comic Distributors. p. 144. ISBN 978-1-59582-578-0. Palmer, Amanda (November 11, 2014). The Art of Asking: How I Learned to Stop Worrying and Let People Help.
It follows the chord progression G–C–Em–D. [6] Jody Rosen and Jonas Weiner of Slate magazine noted that although Swift typically sings country pop, "with the possible exception of that woodsy acoustic guitar" in the song's introduction "Today Was a Fairytale" displays no aspects of country music in either its instrumentation or vocals.
Taylor Swift had identified as a country musician until her fourth studio album, Red, which was released on October 22, 2012. [1] Red 's eclectic pop and rock styles beyond the country stylings of Swift's past albums led to critics questioning her country-music identity.
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The song ends with the lyrics, "I grabbed a pen/ And an old napkin/ And I wrote down our song", self-referencing Swift's occupation as a songwriter. [26] According to the humanities and literature scholar Stephen Grandchamp, these final lines have a feminist undertone. Whereas Swift's narrator initially assumes a passive role in a ...