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Aaron Dessner, who co-wrote and produced some of Folklore 's songs, labeled "Illicit Affairs" a "great" song and thought it was a demonstration of Swift's versatility and her power as a songwriter. [5] The Los Angeles Times author Jody Rosen deemed its lyrics about infidelity more sophisticated than Swift's other songs with the same subject ...
Swift’s lyrics read, “One for the money, two for the show / I never was ready, so I watch you go.” ... She then quoted the same line on “Illicit Affairs” from Folklore, singing, “Take ...
John Shearer/TAS23/Getty Images for TAS Rights Management Taylor Swift is notorious for penning lyrics about the highs — and lows — of her own high-profile romances over the years. While ...
"The Last Great American Dynasty" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). The life of the American socialite Rebekah Harkness, who once lived in Swift's Rhode Island mansion, inspired her to write the song.
The lyrics describe a flawed but everlasting relationship. [21] Swift details the messiness of it by motifs and imagery . [ 24 ] [ 7 ] The first verse has lyrical references that alludes to the tracks of her albums Red (2012) and Reputation (2017) , ranging from " Holy Ground " ("This has frozen my ground") to " Look What You Made Me Do " ("My ...
The lyrics are about contempt for an estranged ex-lover. Music critics generally praised the production as catchy and the lyrics as witty. "Now That We Don't Talk" peaked at number two on song charts in Australia, Canada, New Zealand, the United Kingdom, and the United States, where it became Swift's record-extending ninth number-two song on ...
The end, at last, is here. Sunday was the final (rainy) night of Taylor Swift’s Eras Tour at Hard Rock Stadium in Miami, bringing to a close one of the most anticipated events of the fall.
Upon release, "Epiphany" received favorable comments from music critics, many of whom praised the song's emotion, themes, lyrics, and Swift's vocal ability, though some found its slow-moving pace and production drowsy. The song peaked at number 57 on the US Billboard Hot 100 and in the top 50 of single charts in Australia, Canada, and Singapore.