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Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques. Celtic cross stitch typically employs rich, deep colors, intricate geometrical patterns, spirals , interlacing patterns, knotwork , alphabets, animal forms and zoomorphic ...
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
Machine quilting needles are very sharp in order to readily pierce layers of quilt and properly sew together the quilt top, batting and backing. Hand quilting needles are traditionally called betweens and are generally smaller and stronger than normal sewing needles. They have a very small eye which prevents any extra bump at the head of the ...
The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]
The basic figure is commonly included with a fur front, leather gusset, three decorated fur tassels with regular or cross-chains, and a leather flap at the top. Celtic or Scottish designs often are featured on the flap, and may have pewter badges' decoration to raise the design.
Materials used in macramé include cords made of cotton twine, linen, hemp, jute, leather or yarn. Cords are identified by construction, such as a 3-ply cord, made of three lengths of fibre twisted together. [4] Jewelry is often made in combination of both the knots and various beads (of glass, wood, and so on), pendants or shells.
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Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.