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The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine art as well as Eastern Orthodox and Eastern Catholic Christianity. [2]
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Emperor Constantine the Great presents a representation of the city of Constantinople as tribute to an enthroned Mary and baby Jesus in this church mosaic from the Hagia Sophia, c. 1000 edit Greek fire , first used by the Byzantine navy during the Byzantine–Arab Wars (miniature from the Madrid Skylitzes manuscript, Biblioteca Nacional de ...
Constantinople [a] (see other names) was a historical city located on the Bosporus that served as the capital of the Roman, Byzantine, Latin, and Ottoman empires between its consecration in 330 until 1930, when it was renamed to Istanbul.
Click through to see depictions of Jesus throughout history: The discovery came after researchers evaluated drawings found in various archaeological sites in Israel.
The first structure in that location was erected by the architect Aetherius during the reign of Emperor Anastasius I (r. 491–518) to celebrate the victory in the Isaurian War (492–497). [3] Like much of the city's center, this structure burned down in the Nika riots of 532, and was subsequently rebuilt by the Emperor Justinian I (r. 527 ...
The column shaft is composed of very large porphyry column drums set on a white marble pedestal that is no longer visible. Its top is 34.8 m above the present-day ground level. Estimates of the original height of the column, without the statue that stood on the top, vary between 37 and 40 m; the monument as a whole would have been nearly 50 m tall.