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The ocean-like quality of seashell resonance is due in part to the similarity between airflow and ocean movement sounds. The association of seashells with the ocean likely plays a further role. Resonators attenuate or emphasize some ambient noise frequencies in the environment, including airflow within the resonator and sound originating from ...
Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which was frequent feature of Rocaille decoration. [7]
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Noise, Water, Meat draws upon some of Kahn's prior writing, including articles for October and The Musical Quarterly, and book chapters in Wireless Imagination: Sound, Radio and the Avant-Garde (MIT Press, 1992), In the Spirit of Fluxus (ed. Elizabeth Armstrong and Joan Rothfuss, Walker Art Center, 1993), and his PhD dissertation "Techniques and Tropes of Sound, Voice and Aurality in Artistic ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
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Sound art is an artistic activity in which sound is utilized as a primary time-based medium or material. [1] Like many genres of contemporary art , sound art may be interdisciplinary in nature, or be used in hybrid forms. [ 2 ]
Synchromism was an art movement founded in 1912 by American artists Stanton Macdonald-Wright (1890–1973) and Morgan Russell (1886–1953). Their abstract "synchromies," based on an approach to painting that analogized color to music, were among the first abstract paintings in American art.