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"Elegy" (French: élégie) may denote a type of musical work, usually of a sad or somber nature. A well-known example is the Élégie, Op. 10, by Jules Massenet . This was originally written for piano, as a student work; then he set it as a song; and finally it appeared as the "Invocation", for cello and orchestra, a section of his incidental ...
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
In other examples of poetry such as Alfred Tennyson's "The Lady of Shalott", an elegiac tone can be used, where the author is praising someone in a sombre tone. J. R. R. Tolkien in his essay "Beowulf: The Monsters and the Critics" argues that Beowulf is a heroic elegy.
First page of Dodsley's illustrated edition of Gray's Elegy with illustration by Richard Bentley. Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. [1] The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742.
It is a long poem, 206 lines in length (207 according to some sources), that is cited as a prominent example of the elegy form and of narrative poetry. [40] In its final form, published in 1881 and republished to the present, the poem is divided into sixteen sections referred to as cantos or strophes that range in length from 5 or 6 lines to as ...
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
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Elegy responds by arguing her case, responding sarcastically to Tragedy that she should "take a lighter tone" and points out she is even using her (elegiac) metre to lament. Elegy seems to be victorious. 3.2 - Ovid woos a girl at the races, despite perhaps only just having met her. Ovid seems to be very desperate - as shown by quickly making ...