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In 1982, the "We Can Do It!" poster was reproduced in a magazine article, "Poster Art for Patriotism's Sake", a Washington Post Magazine article about posters in the collection of the National Archives. [21] In subsequent years, the poster was re-appropriated to promote feminism. Feminists saw in the image an embodiment of female empowerment. [22]
Patriotism is the feeling of love, devotion, and a sense of attachment to a country or state. This attachment can be a combination of different feelings for things such as the language of one's homeland, and its ethnic, cultural, political, or historical aspects.
Don't Let that Shadow Touch Them is a U.S. War Bond poster created by Lawrence Beall Smith in 1942, [1] created in support of the U.S. war effort upon America's entry into World War II. [2] It features three young children, apprehensive and fearful, as they are enveloped by the large, dark arm of a swastika shadow. [ 3 ]
Since the early 19th century, Uncle Sam has been a popular symbol of the U.S. government in American culture and a manifestation of patriotic emotion. [3] Uncle Sam has also developed notoriety for his appearance in military propaganda, popularized by a 1917 World War I recruiting poster by J. M. Flagg. [4]
The main distinction between United States poster propaganda and that of British and other allied propaganda was that the U.S. posters stayed mostly positive in their messages. [16] The United States posters focused on duty, patriotism and tradition, whereas those of other countries focused on fueling the people's hatred for the enemy. [ 16 ]
This 30-word poster was an official product of the Parliamentary Recruitment Committee and was more popular contemporaneously. Printed at 20 by 30 in (51 by 76 cm) or 40 by 50 in (100 by 130 cm) The use of Kitchener's image for recruiting posters was so widespread that Lady Asquith referred to the field marshal simply as "the Poster". [23]
A liberal patriotic education would recognize diversity as a strength, affirm universal human values, and dismantle the worse elements of diversity, equity and inclusion bureaucracies and programs ...
Russian World War 1 propaganda posters generally showed the enemies as demonic, one example showing Kaiser Wilhelm as a devil figure. [13] They would all depict the war as ‘patriotic’, with one poster saying that the war was Russia’s second ‘patriotic war’, the first being against Napoleon.