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When it first expanded its programming into prime time in April 1987, Fox became the first major broadcast network in the U.S. to offer a "common prime" schedule; this type of scheduling subtracts an hour from the prime time schedule, reducing it to two hours on Monday through Saturdays and three hours on Sundays – ending evening network ...
However because the game was so popular, producers Thames Television decided to turn Name That Tune into a half-hour weekly series in 1983. [2] The big band in support was that of Alan Braden and his orchestra. From 1976 until 1983 it was hosted by Tom O'Connor.
Initially, the rule required the commercial networks to cede one half-hour of their nightly programming to their affiliates (or owned-and-operated stations) in the 50 largest markets, Mondays through Saturdays, from 7:30 to 8 p.m. Eastern (6:30 to 7 Central), and a full hour on Sundays, between 7 and 7:30 p.m. (6 to 6:30 Central) and 10:30 to 11 p.m. (9:30 to 10 Central).
The Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series (Half-Hour) is an annual award presented as part of the Primetime Emmy Awards. It was created as Outstanding Cinematography for a Half-Hour Series, incorporating single and multi-camera programs, in 2008 alongside Outstanding Cinematography for a One-Hour Series.
A clock-face schedule, also cyclic schedule, is a timetable system under which public transport services run at consistent intervals, as opposed to a timetable that is purely driven by demand and has irregular headways. The name derives from the fact that departures take place at the same time or times during the day.
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