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Although digital images captured in color can be modified with a digital black and white process, some specialized cameras photograph natively in black and white with no option for color. [10] Black and white digital cameras are often designed without a Bayer filter, avoiding the demosaicing process and meaning that a camera will only capture ...
Binary images are also called bi-level or two-level. Pixel art made up of two colours is often referred to as 1-bit in reference to the single bit required to store each pixel. [2] The names black-and-white, B&W, monochrome or monochromatic are often used, but can also designate other image types with only one sample per pixel, such as ...
The contrast ranges from black at the weakest intensity to white at the strongest. [1] Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.
Halftone, the use of black and white in a pattern that is perceived as shades of grey (may be extended also to color images) Monochromacy, a type of color vision deficiency; Monochromatic color; Monochrome monitor, used with computers; Monochrome photography, also known as black-and-white photography
Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions.