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Glass etching is a method of creating graffiti using a strong acid solution. [1] Apart from the creation of decorative windows, the etching technique itself has also spread to the field of graffiti subculture mainly due to its permanence. Graffiti created in this way can only be removed by grinding the affected glass. [2]
The Cool S, also known as the Universal S, the Stüssy S, the Super S, the Pointy S, and the Graffiti S, is a graffiti sign in popular culture and childlore that is typically doodled on children's notebooks or graffitied on walls. The exact origin of the Cool S is unknown, [1] but it became prevalent around the early 1970s as a part of graffiti ...
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE
Reverse graffiti [note 1] is a method of creating temporary or semi-permanent images on walls or other surfaces by removing dirt from a surface. It can also be done by simply removing dirt with the fingertip from windows or other dirty surfaces, such as writing "wash me" on a dirty vehicle.
Some graffiti characters evolve from drawing faces inside letters, which then develop into more complex characters. [9] Characters may be used as substitutes for individual letters. [5] [10] There is usually a clear connection between a writers handstyle and the way they draw their character(s). [9]
A piece using the letters EKOM. Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three [1] and least likely to be seen as vandalism.
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
Once an infrequent sight, graffiti and calligraffiti now adorn the walls of most major cities in the Middle East, representing the rising political and social tensions in the region. Despite most artists' claims that they are neither political or social actors, their art has inevitable impact—as Saudi artist Rana Jarbou said "words are weapons".
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