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In dance theory, choreographic writing (a form of embodied writing) is done by imagining words as dancing across a page. [5] Others use forms of yoga to more deeply connect the body to the writing. [6] Each of these practices aims to create more awareness of the sensation of the body in space and to think of writing as a physical act.
Auditory imagery pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia). Olfactory imagery pertains to odors, aromas, scents, or the sense of smell. Gustatory imagery pertains to flavors or the sense of taste. Tactile imagery pertains to physical textures or the sense of touch.
The descriptive writer's task is one of translation: he wants to find words to capture the way his five senses have registered the item, so a reader of those words will have a mental picture of it. [10] Essays whose governing intent is descriptive or narrative are relatively uncommon in college writing. Exposition and argument tend to prevail. [11]
A vignette (/ v ɪ n ˈ j ɛ t / ⓘ, also / v iː n ˈ-/) is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. [1] [2] Vignettes are more focused on vivid imagery and meaning rather than plot. [3]
Descriptive writing is characterized by sensory details, which appeal to the physical senses, and details that appeal to a reader's emotional, physical, or intellectual sensibilities. Determining the purpose, considering the audience, creating a dominant impression, using descriptive language, and organizing the description are the rhetorical ...
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]
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According to Derrida, the effects caused by a performative text are in a sense also part of it. In this way, the distinction between a text and that what is outside it dissolves. For this reason it is pointless to try to define the context of a speech act. [5]: 3