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Some of the most notable nicknames and stage names are listed here. Although the term Jazz royalty exists for "Kings" and similar royal or aristocratic nicknames, there is a wide range of other terms, many of them obscure. Where the origin of the nickname is known, this is explained at each artist's corresponding article.
Pops is a nickname for: Louis Armstrong (1901–1971), American jazz musician; Henry Beasley (1876–1949), British Army lieutenant colonel and early contract bridge player; Clarence Coleman (baseball) (1884-?), African-American baseball catcher in the pre-Negro leagues; Pops Fernandez (born 1966), Filipino singer
In U.S. culture, despite its republican constitution and ideology, [4] royalist honorific nicknames have been used to describe leading figures in various areas of activity, such as industry, commerce, sports, and the media; father or mother have been used for innovators, and royal titles such as king and queen for dominant figures in a field.
Louis Armstrong: An Extravagant Life. ISBN 0553067680; Cogswell, Michael (2003). Armstrong: The Offstage Story. ISBN 1888054816; Elie, Lolis Eric. A Letter from New Orleans. Originally printed in Gourmet. Reprinted in Best Food Writing 2006, ed. by Holly Hughes, Da Capo Press, 2006. ISBN 1569242879; Teachout, Terry (2009). Pops – A life of ...
Satch is a nickname for the following people: Joe Satriani (born 1956), instrumental rock guitarist; Anand Satyanand (born 1944), Governor-General of New Zealand; Satchel Paige (1906–1982), African-American baseball player; Louis Armstrong (1901–1971), American jazz trumpeter and singer
The post Louis Armstrong’s Top 10 Favorite Foods appeared first on Taste of Home. The "What a Wonderful World" singer had a voracious appetite. He loved New Orleans classics like gumbo, po' boys ...
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It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer. [1] This is partly because "Dippermouth", in the song's title, was a nickname of Armstrong's. [2] Also, the phonograph recordings from 1922 gave credit to Armstrong and Oliver jointly. [3]