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Ren Klyce (supervising sound editor/sound designer/sound effects recordist); Shannon Mills (supervising sound editor); Daniel Laurie (supervising dialogue editor); Stephen M. Davis (supervising music editor); Jeremy Bowker, Malcolm Fife, David C. Hughes (sound effects editors); Thom Brennan (Foley editor); Alyson Dee Moore, John Roesch (Foley ...
Scot Stafford (supervising sound editor), Andrew Vernon, Jamey Scott (sound designer), Brendan Wolf (sound effects editor), Rex Darnell (music editor) Amazon: Archer "Cold Fusion" JC Richardson, Pierre Cerrato (sound designers), JG Thirlwell (music editor) FX: The Boss Baby: Back in Business "Escape From Krinkles"
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
A wolf tone, or simply a "wolf", [1] is an undesirable phenomenon that occurs in some bowed-string instruments, most famously in the cello. It happens when the pitch of the played note is close to a particularly strong natural resonant frequency of the body of the musical instrument . [ 2 ]
Under certain conditions, wolf howls can be heard over areas of up to 130 km 2 (50 sq mi). [13] [14] The phases of the moon have no effect on wolf vocalization, and despite popular belief, wolves do not howl at the Moon. [15] Wolf howls are generally indistinguishable from those of large dogs. [16]
Wolf howls can under certain conditions be heard over areas of up to 130 km 2 (50 sq mi). [15] Wolf howls are generally indistinguishable from those of large dogs. [16] Male wolves give voice through an octave, passing to a deep bass with a stress on "O", while females produce a modulated nasal baritone with stress on "U".
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors.It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and Foley work in long form broadcast media.
Hour of the Wolf is a long-running radio program devoted to speculative fiction. Named after the Ingmar Bergman film of the same title, the program was originally hosted and produced by Margot Adler in 1972. Since 1974 it has been hosted by Jim Freund on WBAI in New York. [1]
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