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An article for Triple J thought "Somebody That I Used To Know" remix by the same artist was a "pitch-perfect '80s makeover, complete with wailing guitars". [14] NME described " What Do You Mean It's 1985 " as having "motive synths and echo-y vocals over a pinky-plonky piano riff and a drum machine being spanked oh so tenderly, before one hell ...
Hi-NRG is uptempo disco or electronic dance music usually featuring synthetic bassline octaves. This list contains some examples of hi-NRG artists and songs. Hi-NRG songs by non-hi NRG artists are also included.
"I.O.U." is a song by British musical group Freeez, released in 1983. The song was written and produced by Arthur Baker and remixed by Jellybean Benitez and Arthur Baker.The song was an international hit, reaching number two on the UK Singles Chart, making the top ten in many European charts and topping the US Billboard Dance/Disco chart.
In the late 1970s, Eurodisco musicians such as Silver Convention and Donna Summer were popular in America. [7]In the 1980s, a highly polished production with "musical simplicity" at its core — from Bubblegum Pop-like lyrics, catchy (in some cases Italian, in other Eurodisco-like) melodies, to "elementary" song structures — an average British Eurobeat song took very little time to complete. [8]
Upon the release, Bill Coleman from Billboard felt the song is "not as catchy" as the group's breakthrough smash. [6] Greg Kot from Chicago Tribune complimented rapper Ya Kid K's phrasing as "exotically enthusiastic and seductive", noting that catch phrases such as "Get up, get busy" "have become as ubiquitous as black leather miniskirts at dance clubs from Los Angeles to Berlin."
The UK-based Disco Mix Club (DMC) remix service has the most members in the world, [citation needed] with offices in nearly every country. they sponsor the yearly World DJ Championships as well as releasing many commercial compilations. Some remix-service companies helped launch the careers of subsequently successful remixers/producers.
A remix album is an album consisting of remixes or rerecorded versions of an artist's earlier released material. The first act who employed the format was American singer-songwriter Harry Nilsson ( Aerial Pandemonium Ballet , 1971). [ 1 ]
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