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Her sleeves have broad puffs on the upper arm and wide, open lower sleeves. Her cap or hood has a sheer veil draped over it, 1539. Anne of Cleves wears a front-laced full-sleeved gown of bands of red-gold brocade and black with ruffled cuffs that display the chemise cuffs beneath. Her headdress consists of a short sheer veil and embroidered ...
Sleeves were narrower and fullness dropped from just below the shoulder at the beginning of the decade to the lower arm, leading toward the flared pagoda sleeves of the 1850s and 1860s. Gowns were worn off the shoulder and featured wide flounces that reached to the elbow, often of lace. They were worn with sheer shawls and opera-length gloves ...
Mary of Burgundy wears a headdress comprising a truncated-cone hennin, a jewelled padded roll, and a sheer veil. Women's fashions of the 15th century consisted of a long gown, usually with sleeves, worn over a kirtle or undergown, with a linen chemise or smock worn next to the skin. The sleeves were made detachable and were heavily ornamented. [20]
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
Therese von Schenk wears long sheer oversleeves over short puffed sleeves and an elaborate fabric-covered hat with plumes, 1831. Lucia Carranza de Rodríguez Orey, elite woman from Buenos Aires, wears a peinetón and a pale dress with large sleeves, a small waist and a leather cord around her neck.
For a Balenciaga show, Kardashian wore a black lace gown that was form-fitting and backless. The gown's silhouette was stunning, thanks to a short train, waterfall sleeves, and a high neckline.