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Herodotus believed that the Phoenicians originated from Bahrain, [16] [17] a view shared centuries later by the historian Strabo. [18] This theory was accepted by the 19th-century German classicist Arnold Heeren, who noted that Greek geographers described "two islands, named Tyrus or Tylos, and Aradus, which boasted that they were the mother country of the Phoenicians, and exhibited relics of ...
Phoenician art was largely centered on ornamental objects, particularly jewelry, pottery, glassware, and reliefs. Large sculptures were rare; figurines were more common. Phoenician goods have been found from Spain and Morocco to Russia and Iraq; much of what is known about Phoenician art is based on excavations outside Phoenicia proper.
Phoenicia was an ancient Semitic civilization originating in the coastal strip of the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. [6] [7] The Phoenicians were organized in city-states along the northern Levantine coast, including Tyre, Sidon and Byblos. [8]
The Phoenicians were an ancient Semitic group of people who lived in the Phoenician city-states along a coastal strip in the Levant region of the eastern Mediterranean, primarily modern Lebanon [4]. They developed a maritime civilization which expanded and contracted throughout history, with the core of their culture stretching from Arwad in ...
Although the Carthaginians retained the traditional Phoenician affinity for maritime trade and commerce, they were distinguished by their imperial and military ambitions: whereas the Phoenician city-states rarely engaged in territorial conquest, Carthage became an expansionist power, driven by its desire to access new sources of wealth and trade.
Regarding Phoenician writings, few remain and these seldom refer to Carthage. The more ancient and most informative are cuneiform tablets, c. 1600–1185, from ancient Ugarit, located to the north of Phoenicia on the Syrian coast; it was a Canaanite city politically affiliated with the Hittites. The clay tablets tell of myths, epics, rituals ...
The sign of Tanit or sign of Tinnit is an anthropomorph symbol of the Punic goddess Tanit, present on many archaeological remains of the Carthaginian civilization.. The symbol has many variants, but the basic form consists of a disc on top of a triangle, separated by a horizontal line, like a schematic image of a person.
The Phoenician alphabet continued to be used by the Samaritans and developed into the Samaritan alphabet, that is an immediate continuation of the Phoenician script without intermediate non-Israelite evolutionary stages. The Samaritans have continued to use the script for writing both Hebrew and Aramaic texts until the present day.