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Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
Print/export Download as PDF ... Phrygian dominant scale: Phrygian dominant on C. ... A free Android app with scales & building chords for the scales;
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
Print/export Download as PDF; Printable version; In other projects Wikidata item; ... Dominant scale may also refer to: Phrygian dominant scale;
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the
Nardis makes use harmonically and melodically of the Phrygian dominant scale and the minor Gypsy scale (technically known as the double harmonic scale), and it is set in thirty-two-bar AABA form. Bill Evans usually played the piece in E minor.
Phrygian dominant scale Play ⓘ, also known as persian scale. Phrygian dominant or dominant harmonic minor I-♭ II-III-IV-V-♭ VI-♭ VII This differs from the Phrygian in having a major third. It may also be considered built on the dominant of the harmonic minor scale. Neapolitan minor differs from the Phrygian in having a major seventh.