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Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The song is a 16-bar form. Each four bars incorporates the same tonal centers of "Tune Up", which are D major, C major, and B♭ major. Each tonal center begins with the ii chord but then cycles through two different keys before arr
"Stolen Moments" is a jazz standard composed by Oliver Nelson.It is a 16-bar piece though the solos are on a conventional minor blues structure. [1] The recording of the song on Nelson's 1961 album, The Blues and the Abstract Truth, led to it being more generally covered.
Second Construction was composed in 1940 and scored for four percussionists. This work, which adopts roughly the same rhythmic scheme as in First Construction (sixteen 16-bar sections, only the proportion is different—here it is 4, 3, 4, 5), is notable for the use of prepared piano: although the technique is that of string piano, the score instructs to place a piece of cardboard and a screw ...
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Fire Waltz" is a 16-bar composition with the form AABA. [3] Original recording. The composition was first recorded on June 27, 1961. [4]
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The debut recording with Ethel Waters was recorded on Black Swan Records (1921) and rapidly became a hit. Her rendition features the rarely-heard 6-bar instrumental intro, [b] followed by her singing the 1st verse (16 bars, plus 1), then her singing the 1st chorus (16 bars, plus 2), then instruments playing 8, plus 2 bars of the chorus, finishing with her singing the 1st chorus (16 bars, plus 2).