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"Control" is a song by American rapper Big Sean, featuring American rappers Kendrick Lamar and Jay Electronica. It entered US mainstream urban radio on August 14, 2013, via GOOD Music and Def Jam Recordings, as a promotional single originally meant for Big Sean's second studio album Hall of Fame (2013), but was ultimately cut from that album due to sample clearance issues.
"Control" is the debut single by the rock band Puddle of Mudd, released in July 2001. It was written by Wes Scantlin and Brad Stewart , and is from their debut album Come Clean . The song peaked at number three on both the Billboard Mainstream Rock and Modern Rock Tracks charts, Number one on the Billboard Active Rock charts and number 68 on ...
Ctrl (pronounced "Control") is the debut studio album by American singer-songwriter SZA. It was released on June 9, 2017, by Top Dawg Entertainment (TDE) and RCA Records . [ 1 ] The album features guest appearances from Travis Scott , Kendrick Lamar , James Fauntleroy , and Isaiah Rashad .
Control is the third studio album by American singer Janet Jackson, released on February 4, 1986, by A&M Records.Her collaborations with the songwriters and record producers Jimmy Jam and Terry Lewis resulted in an unconventional sound: a fusion of rhythm and blues, rap vocals, funk, disco, and synthesized percussion that established Jackson, Jam and Lewis as the leading innovators of ...
"Total Control" is a song by American new wave band the Motels. It was released in 1979 as the second single from their debut studio album Motels . The song failed to make an appearance on the US Billboard Hot 100 , but reached number 9 on the Bubbling Under the Hot 100 chart in December 1979. [ 1 ]
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"Control" is a song by American singer Janet Jackson from her third studio album of the same name (1986). The song was written by Jackson, James Harris III and Terry Lewis , and produced by Jimmy Jam and Terry Lewis.
Chuck Campbell from Knoxville News Sentinel said "Control" "is a great late-night dance song with appropriately self-assured lyrics". [8] Andrew Mueller from Melody Maker described it as "a thumping if straightforward techno workout, doubtless intended to reinforce, musically and lyrically, Lords' refusal to compromise to the usual rules of pop ...