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Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
In Greek mythology, Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] was the name of the following figures: Galatea, a Nereid who loved the shepherd Acis, and was loved by the cyclops Polyphemus. [2] Galatea, the statue of a woman created by Pygmalion and brought to life by Aphrodite. [3]
The Triumph of Galatea is a fresco completed around 1512 by the Italian painter Raphael for the Villa Farnesina in Rome. [1] The Farnesina was built for the Sienese banker Agostino Chigi, one of the richest men of that age. The Farnese family later acquired and renamed the villa, smaller than the more ostentatious palazzo at the other side of ...
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
The song takes on a more critical view of the story, with the character Pygmalion being used as an allegory for an abuser who manipulates a romantic partner into changing themselves. South Korean band Pentagon's 2022 mini album's title track "Feelin' Like" is based on the Pygmalion story, centered on the moment Galatea awakens.
Aci, Galatea e Polifemo, cantata by Handel; Galatea, or The Triumph of Galatea, a 1512 fresco of Ovid's sea-nymph; Gallathea, a late sixteenth-century play by John Lyly; Galatea, or Pygmalion Reversed, an 1883 musical comedy by Henry Pottinger Stephens, W. Webster and Meyer Lutz; Galatea, a 2009 play by Lawrence Aronovitch
Idyll XI is also imitated, or more accurately parodied, by Ovid, Metamorphoses XIII 789ff., which tells the story of Galatea and Acis, her lover, and the Cyclops. The Cyclops, spurned by Galatea in favor of Acis, sings his charming and tender song, modeled on both Idyll XI and Eclogue II but drawn out to absurd length, and at the end suddenly ...
Pygmalion and Galatea is an oil-on-canvas painting by the French painter Anne-Louis Girodet. It represents the myth of Pygmalion and Galatea as told by Ovid in the Metamorphoses. The figures Pygmalion and Galatea are shown with Cupid, the god of desire. Girodet began the work in 1813, but it took him eight years to complete. [1]