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Félix Manuel "Bobby" Rodríguez Capó (January 1, 1922 – December 18, 1989) was a Puerto Rican singer and songwriter. He usually combined ballads with classical music and was deeply involved in Puerto Rican folk elements and even Andalusian music , as to produce many memorable Latino pop songs which featured elaborate, dramatic lyrics.
Frenesí reached #193 on the Billboard album chart, #3 on the Top Latin Albums chart, and #17 on the Tropic/Salsa chart. Three singles charted on the Hot Latin Tracks chart: "Frenesi" at #5, "Perfidia" at #7, and "Entre Abismos" at #33.
1996: Cake covered the English version on their album Fashion Nugget; 2000: Mari Wilson sang it for the titles of the television series Coupling. 2008: Halie Loren released a version on her album They Oughta Write a Song, using the English and Spanish lyrics. 2010: Gaby Moreno released a single simply titled "Quizás."
Songs originating from Greece with lyrics in English. Pages in category "English-language Greek songs" The following 30 pages are in this category, out of 30 total.
At least over 1,000 distinct recordings of the song have been made worldwide. The only other boleros to have achieved such popularity are "Obsesión" and "Perdón" (by Pedro Flores) y "Piel canela" (by Bobby Capó) followed by "Desvelo de amor" and "Capullito de alelí" (by Rafael Hernández Marín). [1]
"El Incomprendido" (English: "Misunderstood") is a Dembow Guaracha fusion song by Puerto Rican singer-songwriter Farruko and Colombian producer Victor Cardenas and the Dominican Dj Adoni. It was released as single on October 1, 2021, from Farruko's studio album La 167 , via Sony Music Latin .
Búscame is the debut studio album recorded by Cuban-American singer-songwriter and actor Jencarlos Canela. The album was released by Bullseye Records on November 10, 2009 (see 2009 in music). The album features the hit single "Amor Quédate", the theme song from the hit Telemundo telenovela Más Sabe el Diablo. "Búscame" was produced by: Rudy ...
The following year-end charts were elaborated by Mejía Barquera, based on weekly charts that were published on the magazine Selecciones musicales as compiled on Roberto Ayala's 1962 book "Musicosas: manual del comentarista de radio y televisión"; those charts were, according to Ayala, based on record sales, jukebox plays, radio and television airplay, and sheet music sales [a]. [6]