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The Princeton is particularly famous as the basis for Mesa Boogie's Mark I, which is a heavily hot-rodded Princeton equipped with modified preamp and a Bassman transformer, allowing it a higher gain output of 60 watts. Fender produced a solid state Princeton from 1988 to 2001, the Princeton Chorus.
Fender Bronco [10] (Lives on through Squier as a bass guitar) Fender Bullet [11] (lives on through Squier) Fender Coronado [12] Fender Cyclone (lives on through Squier) Fender Esquire; Fender HM Strat USA/Japan; Fender Marauder; Fender Musicmaster; Fender Performer; Fender Prodigy [13] Fender Showmaster; Fender Starcaster [14] (lives on through ...
Fender branded vacuum tube. The first "Fender" amplifiers were manufactured by Leo Fender and Doc Kauffman, [1] doing business as the K&F Manufacturing Corporation. [2] The amplifiers were housed in a steel case and most were finished in a "gray crinkle" finish that was baked in the Kauffman family oven.
In 2011, Fender released a new Mustang model in the Pawn Shop series, called the Mustang Special. The model features an offset Mustang body shape and a 24-inch scale neck, but with humbucking pickups and a hard-tail Stratocaster bridge. [1] In 2012, Fender announced a Kurt Cobain Signature Mustang. This model is based on Cobain's modified ...
Fender published the Fender Frontline magazine as a source of product, artist and technical data for the company's customers. [25] The first half featured interviews and articles about the guitars and the stars who played them, and the second half was a catalog section. [26] Fender published 27 issues of the magazine from 1990 through 2000. [26]
The amount of gain produced surprised both men, and Smith combined the cascaded design with the small form factor of the Fender Princeton, creating the first high-gain amp, the "Princeton Boogie." [1] [8] Released in 1972, the Boogies solved the issue of amps not having enough gain to sustain notes at volumes suitable for smaller venues. [4]
The "Tweed" 5F10 model, [2] launched in 1955, but not in time for the Fender catalog of that year, [3] was a 10-watt amplifier utilising a 6AV6 (from 1956 a 6AT6) preamplifier tube, 12AX7 phase inverter tube, [note 1] a pair of 6V6GT power amplifier tubes, and one 5Y3GT rectifier tube, [4] with a Jensen P10R 10-inch speaker. The amplifier had a ...
Fender states the bullet ends create a tighter fit in the tremolo block on Stratocaster guitars, leading to greater tuning stability when the tremolo is used. [6] [non-primary source needed] In the early 1990s Fender switched from using zinc-plated steel for the bullet ends to brass, improving sustain. Today nickel is also used.