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The picture depicts a mother holding her child between the thighs. Her mouth is fixed on its chest in an effort to suck her child back inside her. [3] The artist used herself and her seven-year-old son Peter as models for this composition. [4]
The Draw-a-Person test is commonly used as a measure of intelligence in children, but this has been criticized. Kana Imuta et al. (2013) compared scores on the Draw-A-Person Intellectual Ability Test to scores on the Wechsler Preschool and Primary Scale of Intelligence in 100 children and found a very low correlation (r=0.27). [3]
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
A child's drawing of a family, represented as tadpole people. In cognitive tests such as the Draw-a-Person test , the drawing of tadpole people by adults may indicate a cognitive impairment. For example, patients with dementia tend to draw tadpole people when tasked to draw human figures.
The Kinetic Family Drawing, developed in 1970 by Burns and Kaufman, requires the test-taker to draw a picture of his or her entire family. Children are asked to draw a picture of their family, including themselves, "doing something." This picture is meant to elicit the child's attitudes toward his or her family and the overall family dynamics.
The first collection of 1250 children's drawing and sculpture pieces was assembled by Corrado Ricci (1858–1934), an Italian art historian. [6] Aesthetic appreciation of children's art as untainted by adult influence was extolled by Franz Cižek, who called a child's drawing "a marvelous and precious document".
2. MOTHER WITH A CHILD AND A CHAMBERMAID. Sm. 31 and Suppl. 12; deG. 4. [1] To the left, but near the centre of the picture, sits a woman, holding a little child on her lap with her left hand. She wears a blue jacket trimmed with fur and a red skirt; at her right is a wicker cradle.
Death and the Child is a composition created by Edvard Munch in 1889. [1] [2] Since 1918 it is located in the Kunsthalle Bremen. It depicts a little girl at her mother’s deathbed who is looking at the viewer in a fearful manner. A second, thus far unknown painting of the artist was discovered underneath the canvas in 2005.