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The Monuments Men is a 2014 war film directed by George Clooney, and written and produced by Clooney and Grant Heslov. The film stars an ensemble cast including Clooney, Matt Damon , Bill Murray , John Goodman , Jean Dujardin , Bob Balaban , Hugh Bonneville and Cate Blanchett .
This is a list of personnel who participated in the Monuments, Fine Arts, and Archives program under the Civil Affairs and Military Government Sections of the Allied armies between 1943 and 1946. "Expertise" attempts to indicate each person's background and suitability for MFAA at the time of their recruitment ; many achieved even greater ...
The Monuments Men and Women Foundation, formerly known as the Monuments Men Foundation for the Preservation of Art, is an American IRS-approved 501(c)(3) not-for-profit organization, [1] which honors the legacy of those who served in the Monuments, Fine Arts, and Archives program during and after World War II, [2] [3] more commonly known as the Monuments Men and Women.
The Allied armies’ Monuments, Fine Arts and Archives section included 27 women and about 320 men during and just after WWII. The Army recently revived the concept, with the first new class of ...
Robert Morse Edsel [1] (born December 28, 1956) is an American businessman and author. He has written three non-fiction books - Rescuing Da Vinci (2006), Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History (2007); and Saving Italy (2013) - chronicling the recovery of artwork stolen by Nazi Germany during World War II.
The Monuments Men [6] North American distribution only; co-production with Fox 2000 Pictures, Smokehouse Pictures, Studio Babelsberg and Obelisk Productions; international distribution handled by 20th Century Fox: February 12, 2014: RoboCop [N 1]
The Monuments Men is Desplat's second collaboration with Clooney as a director, after previously working on The Ides of March (2011). [1] [2] When Clooney offered him the script, Desplat felt excited as it reflected the scores of Maurice Jarre and Elmer Bernstein from the 1950s and 1960s, adding that Clooney wanted the film to reflect the timeline instead of making an epic war film. [3]
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