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The sonnet is split in two stanzas: the "octave" or "octet" (of 8 lines) and the "sestet" (of 6 lines), for a total of 14 lines. The octave typically introduces the theme or problem using a rhyme scheme of ABBAABBA. The sestet provides resolution for the poem and rhymes variously, but usually follows the schemes of CDECDE or CDCCDC.
The term sonnet refers to a fixed verse poetic form, traditionally consisting of fourteen lines adhering to a set rhyming scheme. [1] It derives from the Italian word sonetto ( lit. ' little song ' , from the Latin word sonus , lit.
The repeated rhyme scheme within the octave strengthens the idea. The sestet, with either two or three different rhymes, uses its first tercet to reflect on the theme and the last to conclude. William Shakespeare utilized the sonnet in love poetry of his own, employing the sonnet structure conventionalized by English poets Wyatt and Surrey.
Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet; Petrarchan (or Italian): traditionally follows the rhyme scheme ABBA ABBA CDECDE; a common variation of the end is CDCDCD, especially within the ...
The sonnet was first published in Milton's 1673 Poems in his autograph notebook, known as the "Trinity Manuscript" from its location in the Wren Library of Trinity College, Cambridge. He gave it the number 19, but in the published book it was numbered 16, [ 2 ] [ 3 ] so both numbers are used for it.
Sonnet 16 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is among those sonnets referred to as the procreation sonnets, within the Fair Youth sequence. Although the previous sonnet, Sonnet 15, does not overtly discuss procreation, Sonnet 16 opens with "But..." and goes on to make the encouragement clear.
Apart from rhyme, and considering only the arrangement of ideas, and the placement of the volta, a number of sonnets maintain the two-part organization of the Italian sonnet. In that case the term "octave" and "sestet" are commonly used to refer to the sonnet's first eight lines followed by the remaining six lines.
[16] [17] A significant amount of his literary output consists of translations and imitations of sonnets by Italian poet Petrarch; he also wrote sonnets of his own. He took subject matter from Petrarch's sonnets, but his rhyme schemes are significantly different.