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In Classical mythology, Dolus (Latin: Dolus, lit. 'Deception, Guile, Deceit') [1] is a figure who appears in an Aesopic fable by the Roman fabulist Gaius Julius Phaedrus, where he is an apprentice of the Titan Prometheus.
Gods and goddesses associated with deception, disguise, illusion and shapeshifting. Subcategories. This category has the following 3 subcategories, out of 3 total. ...
Male deities depicted as tricksters, story characters (gods, goddesses, spirits, humans or anthropomorphisations) who exhibit a great degree of intellect or secret knowledge and use it to play tricks or otherwise disobey normal rules and defy conventional behavior.
In Greek mythology, Medea (/ m ɪ ˈ d iː ə /; Ancient Greek: Μήδεια, romanized: Mḗdeia; lit. ' planner, schemer ') [1] is the daughter of King Aeëtes of Colchis.In the myth of Jason and the Argonauts, she aids Jason in his search for the Golden Fleece.
The following is a list of gods, goddesses, and many other divine and semi-divine figures from ancient Greek mythology and ancient Greek religion. Major deities The Greeks created images of their deities for many purposes.
This is an index of lists of mythological figures from ancient Greek religion and mythology. List of Greek deities; List of mortals in Greek mythology; List of Greek legendary creatures; List of minor Greek mythological figures; List of Trojan War characters; List of deified people in Greek mythology; List of Homeric characters
Selene, Titaness goddess and personification of the moon; Thanatos, the personification of death, the son of Nyx and Erebus and twin brother of Hypnos; Roman. Diana Trivia, goddess of the hunt, the moon, crossroads, equivalent to the Greek goddesses Artemis and Hecate; Latona, mother goddess of day and night, equivalent to the Greek goddess Leto
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.