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A scoring rubric typically includes dimensions or "criteria" on which performance is rated, definitions and examples illustrating measured attributes, and a rating scale for each dimension. Joan Herman, Aschbacher, and Winters identify these elements in scoring rubrics: [3] Traits or dimensions serving as the basis for judging the student response
Epic poem – a lengthy story of heroic exploits in the form of a poem. Essay - a short literary composition that reflects the author's outlook or point; Fable – a didactic story, often using animal characters who behave like people. Fantasy – a story about characters that may not be realistic and about events that could not really happen.
Examples of authentic assessment categories include: performance of the skills, or demonstrating use of a particular knowledge; simulations and role plays; renewable assignments, where a student adds value to a topic and makes this visible on Wikipedia and licenses the work openly; studio portfolios, strategically selecting items
In written narrative such as fiction, sections are not usually numbered or named. Section breaks are used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. As a fiction-writing mode, the section break can be considered a transition, similar to a chapter break.
Many of his short stories reflect the political turmoil of West Bengal since the Naxalite movement of the 1970s. Many of his stories like Blue Are the Far Off Mountains, The First Rain and The Magic Marble glorify purity of love. His novel Oraon and the Divine Tree is the story of a tribal and his love for an age old tree. In Hemingway style ...
Several Irish short-story anthologies have been published since 2000 to meet the demands of the reading public, for example: the Faber Book of Best New Irish Short Stories 2005 and 2007; Irish Short Stories (2011), edited by Joseph O'Connor; Town and Country: New Irish Short Stories (2013), edited and with an introduction by Kevin Barry; The ...
Some fiction may include non-fictional elements; semi-fiction is fiction implementing a great deal of non-fiction, [8] (such as a fictional description based on a true story). Some non-fiction may include elements of unverified supposition , deduction , or imagination for the purpose of smoothing out a narrative , but the inclusion of open ...
Past events that have impacted the cultural background of characters or locations are significant in this way. The third form of a setting is a public or private place that has been created/maintained and/or resided in by people. Examples of this include a house, a park, a street, a school, etc. [5]