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"Pink Houses" is a song written and performed by John Cougar Mellencamp. It was released on 23 October 1983 as the second single from his album Uh-Huh. It reached No. 8 on the US Billboard Hot 100 in early 1984 and No. 15 in Canada. "Pink Houses" was ranked No. 447 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
Uh-Huh is a 1983 album by John Cougar Mellencamp and a transition from his early work under the names Johnny Cougar and John Cougar. It was Mellencamp's seventh studio album and the first in which he used his real last name.
Pink Floyd would again use this technique on the bass line for "Sheep". This riff was first created by David Gilmour on guitar with effects, then Roger Waters had the idea of using bass instead of guitar, so they recorded the song on two different bass guitars. The piece is in B minor, occasionally alternating with an A major chord.
Owners of The Chef House Tammie Darko (left) and husband George Darko (right) pose for a portrait outside The Chef's House on Wednesday, Dec. 6, 2023. The Chef's House, located on Walton Way ...
Like many folk songs, "The House of the Rising Sun" is of uncertain authorship. Musicologists say that it is based on the tradition of broadside ballads, and thematically it has some resemblance to the 16th-century ballad "The Unfortunate Rake" (also cited as source material for "St. James Infirmary Blues"), yet there is no evidence suggesting that there is any direct relation. [4]
Little Pink House is a 2017 American-Canadian biographical drama film written and directed by Courtney Moorehead Balaker and starring Catherine Keener as Susette Kelo. [1] It is based on the book "Little Pink House" by Jeff Benedict , which chronicles events related to Kelo v.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...