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"Direach Ghlinn Eiti, or Fachan" as illustrated by J. F. Campbell. In Scottish folklore, the fachan (or fachin, [1] fachen, Direach Ghlinn Eitidh or Dithreach (dwarf of Glen Etive)) is a monster or giant described by John Francis Campbell in Popular Tales of the West Highlands as having a single eye in the middle of its face, a single hand protruding from its chest instead of arms, and a ...
The emergency medical services' Star of Life features a rod of Asclepius In Greek mythology, the Rod of Asclepius (⚕; / æ s ˈ k l iː p i ə s /, Ancient Greek: Ῥάβδος τοῦ Ἀσκληπιοῦ, Rhábdos toû Asklēpioû, sometimes also spelled Asklepios), also known as the Staff of Aesculapius and as the asklepian, [1] is a serpent-entwined rod wielded by the Greek god Asclepius ...
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom.. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Log (15%) – lying on one's side with the arms down the side. Yearner (13%) – sleeping on one's side with the arms in front. Soldier (8%) – on one's back with the arms pinned to the sides. Freefall (7%) – on one's front with the arms around the pillow and the head tilted to one side.
Albert Schweitzer (1875–1965), a historian of theology, presented an important critical review of the history of the search for Jesus's life in The Quest of the Historical Jesus – From Reimarus to Wrede (1906, 1st ed.), denouncing the subjectivity of the various writers who injected their own preferences in Jesus's character. There is one ...
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
The late 6th-century Rabbula Gospel book which includes one of the earliest Crucifixion sequences in a manuscript also depicts an empty tomb under the Crucifixion panel, with an angel seated there who greets two women. Rays of light strike down Roman soldiers, and Jesus greets the two women, who kneel to adore him. [8]