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It depicts the episode of the expulsion of Hagar and her son Ishmael by Abraham. According to the Genesis, Hagar was the slave of Sarah, Abraham's wife, and when he was 86 years old, she asked him to sleep with Hagar so that she could conceive a son. Fourteen years later, Sarah gave birth to a son, Isaac, to Abraham, who was 100 years old ...
According to the Book of Genesis, Hagar [a] was an Egyptian slave, a handmaiden of Sarah (then known as Sarai), [2] whom Sarah gave to her own husband Abram (later renamed Abraham) as a wife to bear him a child. Abraham's firstborn son, through Hagar, Ishmael, became the progenitor of the Ishmaelites, generally taken to be the Arabs.
Genesis 16:7–16 describes the naming of Ishmael and God's promise to Hagar concerning Ishmael and his descendants. This occurred at the well of Beer-lahai-roi, where Hagar encountered the Angel of the Lord , who said to her "Behold, you are with child / And shall bear a son; / You shall call him Ishmael, / For the Lord has paid heed to your ...
Hagar and Ishmael then run out of water and Ishmael becomes extremely thirsty. Hagar is distressed and searches for water, running back and forth seven times between the hills of Al-Safa and Al-Marwah. Hagar is later remembered by Muslims for this act during the Hajj, or pilgrimage, in which Muslims run between these same hills as part of the ...
Hagar is honoured by Muslims as a wise, brave and pious woman as well as the believing mother of the Adnani Arab people. The incident [5] [page needed] of her running between Al-Safa and Al-Marwah hills is commemorated by Muslims when they perform their Ḥajj (major pilgrimage) or Umrah (minor pilgrimage) at Mecca.
The painting depicts the biblical figure Hagar as she wanders through the wilderness of Beersheba. Specifically, the painting renders the moment in which Hagar and her son Ishmael experience divine salvation, seen via Corot's inclusion of an angel in the back center of the painting. Much of the landscape seen in the work is derived from Corot's ...
The Ishmaelites (Hebrew: יִשְׁמְעֵאלִים, romanized: Yīšməʿēʾlīm; Arabic: بَنِي إِسْمَاعِيل, romanized: Banī Ismā'īl, lit. 'sons of Ishmael') were a collection of various Arab tribes, tribal confederations and small kingdoms described in Abrahamic tradition as being descended from and named after Ishmael, a prophet according to the Quran, the first son of ...
The Departure of the Shunammite Woman or Abraham Dismissing Hagar and Ishmael is a 1640 painting by the studio of Rembrandt, probably by Ferdinand Bol. It is now in the Victoria and Albert Museum in London. It shows either Hagar and Ishmael or the Shunammite woman from 2 Kings 4. [1]