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The trombone can be found in symphony orchestras, concert bands, big bands, marching bands, military bands, brass bands, and brass choirs. In chamber music, it is used in brass quintets, quartets, and trios, and also in trombone groups ranging from trios to choirs. A trombone choir can vary in size from five to twenty or more members.
This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part.
In music, a method is a kind of textbook for a specified musical instrument or a selected problem of playing a certain instrument.. A method usually contains fingering charts or tablatures, etc., scales and numerous different exercises, sometimes also simple etudes, in different keys, in ascending order as to difficulty (= in methodical progression) or with a focus on isolated aspects like ...
Blazhevich was a foundational trombone pedagogue, writing numerous guides on all aspects of trombone playing aiming to produce a trombonist capable of solo and ensemble playing at a high level. His pedagogical material is of excellent quality, and is still used today in numerous forms as an educational and auditioning tool.
Johnson's work in the 1940s and 1950s demonstrated that the slide trombone could be played in the bebop style; as trombonist Steve Turre has summarized, "J. J. did for the trombone what Charlie Parker did for the saxophone. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did.
The valve trombone emerged concurrently with the invention of valves in the early 19th century. Most early instruments retained the shape and form of the slide trombone, employing three valves with the tubing arranged in place of the slide; others used the new valve mechanism as an opportunity to explore different configurations while retaining the overall cylindrical bore and bell profile.
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The alto trombone appears in the earliest written music for trombone, where composers wrote alto, tenor, and bass parts to bolster the corresponding voices in church liturgical music. [1] Although the parts were notated in alto, tenor and bass clefs, historically the clef has not always been a reliable indicator of which type of trombone was ...