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An emulsion lift, or emulsion transfer, is a process used to remove the photographic emulsion from an instant print. The emulsion can then be transferred to another material, such as glass, wood or paper. [1] The emulsion lift technique can be performed on peel-apart film and Polaroid Originals integral film, but not on Fujifilm Instax film ...
Smooth sheets of paper were pasted over the painted surface of the panel, and a layer of muslin over that. The panel was then fixed, face down, to a table, and the wood planed away from the back until it was "as thin as a plane may safely go", and the remainder scraped off with a sharp instrument such as a razor.
A ceramic decal is a transfer system that is used to apply pre-printed images or designs to ceramic tableware, ornamental ware and tiles, and glass containers.. A decal typically comprises three layers: the color, or image, layer which comprises the decorative design; the covercoat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design ...
Unlike screen printing, digital ceramic printing on glass does not require screens and the files are stored digitally making printing of all sizes and replacement of any panel simple, in high resolution, full color. [3] When using ceramic frit based inks the glass is fired or tempered to fuse the inks with the glass. Due to the extreme ...
Acid-free boxes are a commonly recommended source for the storage of dye diffusion transfer prints. In addition, containers of polyester, aluminum, or glass may also provide adequate housing. Individual prints should be stored separately in sleeves or envelopes that are made of polypropylene or paper with high quantities of alphacellulose.
Xerox art (sometimes, more generically, called copy art, electrostatic art, scanography or xerography) is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a photocopier and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or ...
For example, the cames that make up the matrix of a stained-glass window, for which lead and zinc were most commonly used, undergo quite a bit of thermal expansion and contraction, eventually resulting in metal fatigue, which in turn weakens the joints between the plates, causing whole panels to deform or simply fall apart (Vogel et al. 2007, 8).
Conservation-restoration is the practice of cleaning and discovering the original state of an object, investigating the proper treatments and applying those treatments to restore the object to its original state without permanently altering the object, and then preserving the object to prevent further deterioration for generations to come (Caple, p. 5-6). [1]