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"Farewell Angelina" has remained a continuous part of Joan Baez' concert repertoire, being recorded twice for live albums during the 1980s. The song has also been recorded by the New Riders of the Purple Sage (on Oh, What a Mighty Time), John Mellencamp (on Rough Harvest), Tim O'Brien (See Nobody Sings Dylan Like Dylan, Vol. 39, masterfully collected by Jay Ess), Show of Hands, and Danu's When ...
"Farewell", also known as "Fare Thee Well", is a song by American singer-songwriter Bob Dylan. Dylan wrote the song in January 1963. [ 1 ] He considered it for his third album, The Times They Are a-Changin' , but only attempted a few takes during the album's first studio session. [ 2 ]
Farewell, Angelina is the sixth studio album by American folk singer Joan Baez, ... "It's All Over Now, Baby Blue" (Bob Dylan) – 3:21 "The Wild Mountain Thyme" ...
The final two tracks are duets with Bob Dylan. Track listings. Farewell, Angelina" – 3:41 "Long Black Veil" (Marijohn Wilkin, Danny Dill) – 3:11 "Wild Mountain ...
Rare, Live & Classic is a 1993 box set compilation by Joan Baez.Released on Vanguard, where Baez had recorded her most influential work during the first twelve years of her career, the set also included material from her subsequent record labels, A&M, Columbia and Gold Castle Records, as well as a number of previously unreleased studio and live recordings.
Take one of "Bob Dylan's 115th Dream" would be used for the album, but three would eventually be released: "I'll Keep It With Mine" on 1985's Biograph, and "Farewell Angelina" and an acoustic version of "Subterranean Homesick Blues" on 1991's The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991.
"Angelina" was written by Bob Dylan after the end of his Gospel Tour, which concluded in May 1980. [2] In October 1980, he recorded a version at Rundown Studios, Santa Monica, with himself on vocals and guitar, Fred Tackett (guitar and mandolin), Willie Smith (keyboards), Tim Drummond (bass), Jim Keltner (drums), and Clydie King, Carolyn Dennis and Regina McCrary (background vocals) [3] Two ...
Joan Baez and Bob Dylan, August 28, 1963. The song alludes to Baez's relationship with Bob Dylan ten years previously. Although Dylan is not specifically named in the song, in the third chapter of her memoir, And a Voice to Sing With (1987), Baez uses phrases from the song in describing her relationship with Dylan, and has been explicit that he was the inspiration for the song.