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From Violin to Viola was that method. From Violin to Viola helps developing- and proficient-level violinists learn alto clef and adapt to the increased physical demands of the viola. The collection consists of two parts: 1) transitional exercises to help violinists become familiar with the “intricacies” of the viola, and 2) a progressive ...
The viola books introduce shifting and work in higher positions earlier than the violin volumes, in anticipation of viola students being asked to play in ensembles sooner in their studies than violinists, and needing these skills to better handle orchestral or chamber music parts (Preucil, 1985).
Left hand finger patterns, after George Bornoff First position fingerings. While beginning violin students often rely on tapes or markers placed on the fingerboard for correct placement of the left-hand fingers, more proficient and experienced players place their fingers on the right spots without such indications but from practice and experience.
Goal setting involves the development of an action plan designed in order to motivate and guide a person or group toward a goal. [1] Goals are more deliberate than desires and momentary intentions. Therefore, setting goals means that a person has committed thought, emotion, and behavior towards attaining the goal.
Versuch einer gründlichen Violinschule (A Treatise on the Fundamental Principles of Violin Playing) is a textbook for instruction in the violin, published by Leopold Mozart in 1756. The work was influential in its day, and continues to serve as a scholarly source concerning 18th century performance practice .
Paul Rolland, né Pali Reisman (November 21, 1911, in Budapest – November 9, 1978, in Illinois), [1] was a violinist and an influential American violin teacher who concentrated on the pedagogy of teaching fundamentals to beginning string students and on remedial techniques for string players of any level. He was famous for emphasizing that ...
This article lists notable compositions within the viola repertoire. The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.). The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.).
The Viola Concerto by William Walton was written in 1929 and first performed at the Queen's Hall, London on 3 October of that year by Paul Hindemith as soloist and the composer conducting. It had been written with the violist Lionel Tertis in mind, and he took the work up after initially rejecting it.