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In critical analysis of the visual arts, the style of a work of art is typically treated as distinct from its iconography, which covers the subject and the content of the work, though for Jas Elsner this distinction is "not, of course, true in any actual example; but it has proved rhetorically extremely useful". [11]
In a Tropical Forest Combat of a Tiger and a Buffalo (1908–1909), by Henri Rousseau. In the arts of the Western World, Primitivism is a mode of aesthetic idealization that means to recreate the experience of the primitive time, place, and person, either by emulation or by re-creation.
Within the visual arts, [1] the applied arts, [2] such as industrial design, graphic design, fashion design, interior design, and decorative art [3] are also included. Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts , but this was not always the case.
The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...
The humanist current continued into the late 1960s and early 70s, also in the United States [34] when America came to dominate the medium, [42] with photography in academic artistic and art history programs becoming institutionalised in such programs as the Visual Studies Workshop, [43] after which attention turned to photography as a fine art ...
Chapter 10: Modern Art, Music, Literature, and Films - Numerous examples of despair and alienation in modern productions. Chapter 11: Our Society - How the values of personal peace and affluence permeate our society. Chapter 12: Manipulation and the New Elite - How our society has opened itself up to the coming of an elite authoritarian state.
Realism, or naturalism as a style depicting the unidealized version of the subject, can be used in depicting any type of subject without commitment to treating the typical or every day. Despite the general idealism of classical art, this too had classical precedents, which came in useful when defending such treatments in the Renaissance and ...
The Creation of Adam, from Michelangelo’s Sistine Chapel ceiling – an example of high culture. In a society, high culture encompasses cultural objects of aesthetic value which a society collectively esteems as being exemplary works of art, [1] as well as the intellectual works of literature and music, history and philosophy which a society considers representative of their culture.