Search results
Results From The WOW.Com Content Network
A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2] A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.
It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality. Caesura–A metrical pause or break in a verse where one phrase ends and another phrase begins. Enjambment–The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
Line: a unit into which a poem is divided Line break: the termination of the line of a poem and the beginning of a new line; Metre (or meter): the basic rhythmic structure of a verse or lines in verse. Metres are influenced by syllables and their "weight"
Some forms are strictly defined, with required line counts and rhyming patterns, such as the sonnet (mostly made of a 14-line poem with a defined rhyme scheme) or limerick (usually a 5-line free rhyme poem with an AABBA rhyme scheme). Such poems exhibit closed form, meaning they have strict rules regarding their structure and length. [7]
Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.