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Phædo or Phaedo (/ ˈ f iː d oʊ /; Greek: Φαίδων, Phaidōn [pʰaídɔːn]), also known to ancient readers as On The Soul, [1] is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul.
Accordingly, the Phaedo presents a real challenge to commentators because Plato oscillates between different conceptions of the soul. In the cyclical and Form-of-life arguments, for instance, the soul is presented as something connected with life, where, in particular, in the final argument, this connection is spelled out concretely by means of ...
Abbt had introduced him to Plato's work, the Phaedo, and he decided to bring this work into the contemporary world. The book is dedicated to Abbt. [3] Phaedon is a series of three dialogues in which Socrates argues for the immortality of the soul, in preparation for his own death. He published about a third of the original text unaltered and ...
In Phaedo, Plato develops his theory of anamnesis, in part by combining it with his theory of forms. Firstly, he elaborates how anamnesis can be achieved: whereas in Meno , nothing more than Socrates' method of questioning is offered, in Phaedo , Plato presents a way of living that would enable one to overcome the misleading nature of the body ...
Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view that the soul is a self-mover with the view that the soul is a mind in order to explain how the soul can move things in the first place (e.g., how it can move the body to which it is attached in life). [10]
Phaedo: Nature of the Soul; Menexenus: Love for One's Country; Critias: Story of Atlantis; Discussions of Plato's twelve letters; Two of Ficino's other prefaces to the dialogues and their commentaries; Evermore Shall Be So: Ficino on Plato's Parmenides, ed. and transl. by Arthur Farndell (Shepheard Walwyn, 2008). (Does not include Latin text.)
The pre-eminent philosopher in this period, Plutarch (c. 45–120), defended the freedom of the will and the immortality of the soul. He sought to show that God, in creating the world, had transformed matter, as the receptacle of evil , into the divine soul of the world, where it continued to operate as the source of all evil.
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo, for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth (Phd. 109a–111c).