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Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The hard bop style coalesced in 1953 and 1954, paralleling the rise of rhythm ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Miles Davis (pictured in 1984), whose 1970s fusion music helped lead to the development of smooth jazz in the 1980s. In the 1980s in jazz, the jazz community shrank dramatically and split. A mainly older audience retained an interest in traditional and straight-ahead jazz styles.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. Do not enter names that lack sources.
Louder Sound's 50 Best Albums from the 1980s: #20 [50] November 3, 1980 [51] In The Flat Field: Bauhaus: Post-punk; gothic rock; 4AD: Regarded as a key prototypical gothic music release. [52] Rolling Stone's "80 Greatest albums of 1980": #61 [4] UNCUT: The 500 Greatest Albums of The 1980s: #189 [10] Tom Moon's 1,000 Recordings to Hear Before ...
Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962). The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its ...
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.