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Mangbetu pots are mostly mono-chromatic, made entirely with clay and fired in its natural form. As a result, most decorative pots are a dark gray color while the nembwo and Small Pots lean more towards russet. To serve as a decorative quality, patterns are often carved onto the surface of the pots in addition to the animal/human figures.
Fired clay or terracotta was also widely employed in the Roman period for architectural purposes, as structural bricks and tiles, and occasionally as architectural decoration, and for the manufacture of small statuettes and lamps. These are not normally classified under the heading 'pottery' by archaeologists, but the terracottas and lamps will ...
Common red clay and shale clay have vegetable and ferric oxide impurities which make them useful for bricks, but are generally unsatisfactory for pottery except under special conditions of a particular deposit. [18] Bentonite: An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity.
The clay is then kneaded by the potter and placed on a wheel. Once the clay is on the wheel the potter can shape it into any of the many shapes shown below, or anything else he desires. Wheel-made pottery dates back to roughly 2500 BC. Before this, the coil method of building the walls of the pot was employed.
It is also used for the realization of bronzes: the prototypes are made out of raw clay. The small sizes are directly worked with the hand. For the larger models, the coroplast (κοροπλάστης koroplástēs, maker of figurines) pressed the clay pellets or wads against a wooden restraint.
Terracotta, also known as terra cotta or terra-cotta [2] (Italian: [ˌtɛrraˈkɔtta]; lit. ' baked earth '; [3] from Latin terra cocta ' cooked earth '), [4] is a clay-based non-vitreous ceramic [5] fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below.
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