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Procession of men, kylix by the Triptolemos Painter, circa 480 BC. Paris: Louvre The wedding of Thetis, pyxis by the Wedding Painter, circa 470/460 BC. Paris: Louvre. Red-figure pottery (Ancient Greek: ἐρυθρόμορφα, romanized: erythrómorpha) is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the ...
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
It is likely, however, that he also worked in black-figure painting, [3] and his style suggests a link, possibly in the role of student, to the great black-figure painter Exekias. [4] John Boardman sees connections to Ionian art in the painter's work, suggesting that he may have been an immigrant from East Greece. [ 3 ]
Side A (red-figure) of an Attic bilingual amphora, 520–510 BC, painted by Andokides. Andokides (/ ˌ æ n d oʊ ˈ s aɪ d iː z /; [1] Greek: Ἀνδοκίδης) was a famous potter of Ancient Greece. The painter of his pots was an anonymous artist, the Andokides painter, who is recognized as the creator of the red-figure style
The figure is also marked with the name 'Netos', the Attic dialect form of the name Nessos. John D. Beazley, the authority on Attic vase painting, attributed the name 'The Nessos Painter' to this artist. Later, after new finds in Athens and in a cemetery outside the city, paintings of chimera were identified with this painter and Beazley ...
Circa 520 BC the red-figure technique was developed and was gradually introduced in the form of the bilingual vase by the Andokides Painter, Oltos and Psiax. [42] Red-figure quickly eclipsed black-figure, yet in the unique form of the Panathanaic Amphora, black-figure continued to be utilised well into the 4th century BC.
Men are depicted with red, black or white skin, women virtually always in white. Contours and interior detail were incised, as is common in black-figure vases. Areas covered in black shiny slip were often covered with an additional layer of white shiny slip, so that the underlying black would be visible in incised details. The front imagery is ...