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The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
The line about the length of the Gravedigger's career does not appear in the First Quarto of Hamlet; in that text Yorick is said to have been in the ground only twelve years. Furthermore, in Belleforest , possibly one of Shakespeare's sources for the story, it is said that Amleth has "not attained to man's estate".
After its discovery in 1823, its initial editors typically took the view that Q1 was an early draft of the play, perhaps even a revision of the Ur-Hamlet, but John Payne Collier argued in 1843 that it was simply a bad version: a "pirated" text, one of the "stol'n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors", which were denounced in the preface to ...
Read the full text of the speech as he delivered it that day: I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
Her 1883 three-scene prototype of William Shakespeare's play Hamlet created a prescient solution for offering parallel views of multiple textual versions; textual scholar Ann Thompson writes of this prototype that "the sample demonstrates that, once completed, Teena Rochfort Smith's edition would have been the most complex presentation of the texts of Hamlet ever attempted". [5]