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They also all agree that he uses elaborate scientific and historical diction in The Invention of the Zero. →Susan Lasher. "The Poet as curator". Parnassus: Poetry in Review 1994, Vol. 19 Issue 2. Book review. Basically bashing the book, Lasher argues that it is a gaudy bundle of fancy language with no true meaning.
In literature, such as novels, plays, and poems, symbolism goes beyond just the literal written words on a page, since writing itself is also inherently a system of symbols. Artistic symbols may be intentionally built into a work by its creator, which in the case of narratives can make symbolism a deliberate narrative device .
Zero was not treated as a number at that time, but as a "vacant position". [39] Qín Jiǔsháo's 1247 Mathematical Treatise in Nine Sections is the oldest surviving Chinese mathematical text using a round symbol ‘〇’ for zero. [40] The origin of this symbol is unknown; it may have been produced by modifying a square symbol. [41]
Because of this, Pingala is sometimes also credited with the first use of zero, as he used the Sanskrit word śūnya to explicitly refer to the number. [11] Pingala's binary representation increases towards the right, and not to the left as modern binary numbers usually do. [12] In Pingala's system, the numbers start from number one, and not zero.
The Deluge tablet, carved in stone, of the Gilgamesh epic in Akkadian, circa 2nd millennium BC.. Poetry as an oral art form likely predates written text. [1] The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law.
The term poetics derives from the Ancient Greek ποιητικός poietikos "pertaining to poetry"; also "creative" and "productive". [6] It stems, not surprisingly, from the word for poetry, "poiesis" (ποίησις) meaning "the activity in which a person brings something into being that did not exist before."
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Lyric poetry is a genre that, unlike epic and dramatic poetry, does not attempt to tell a story but instead is of a more personal nature. Poems in this genre tend to be shorter, melodic, and contemplative. Rather than depicting characters and actions, it portrays the poet's own feelings, states of mind, and perceptions. [156]