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An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1] Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
First page of the first part of Bach's Christmas Oratorio (1734) This is a chronological list of oratorios from the 16th century to the present. Unless otherwise indicated, all dates are those when the work was first performed. In some cases only the date of composition is known. In others, the oratorio has only been heard on a recording.
Aria, Chorus: "To God, our strength, sing loud". The second minuet from the Music for the Royal Fireworks was reused from this oratorio. [4] Handel's coronation anthem Zadok the Priest was also reused as the finale to the oratorio, but without the second movement "And all the people rejoic'd".
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
George Frideric Handel. Acis and Galatea (HWV 49) is a musical work by George Frideric Handel with an English text by John Gay.The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio.
Fine examples may be found in the church music of Giacomo Carissimi; and the English vocal solos of Henry Purcell (such as Mad Tom and Mad Bess) show the utmost that can be made of this archaic form. With the rise of the da capo aria , the cantata became a group of two or three arias joined by recitative.
The Oratorio de Noël, Op. 12, by Camille Saint-Saëns, also known as his Christmas Oratorio, is a cantata-like work scored for soloists, chorus, organ, strings and harp. While an organist at La Madeleine , Saint-Saëns wrote the Christmas oratorio in less than a fortnight, completing it ten days before its premiere on Christmas 1858. [ 1 ]
The literary work is said to be set, or adapted, to music. Musical settings include choral music and other vocal music. [1] A musical setting is made to particular words, such as poems. [2] By contrast, a musical arrangement is a musical reconceptualization of a previously composed work, rather than a brand new piece of music. An arrangement ...