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The Garden of Allah (novel) The Garden of God; The Gates of Morning; Get a Life, Chloe Brown; Girl in May; A Glove Shop in Vienna: And Other Stories; Gone to Earth (novel) Good Material; Grand Canary (novel) Greatheart (Dell novel) Green Mansions; Greensea Island; Grey: Fifty Shades of Grey as Told by Christian
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
While these two novels were written and published after the Romantic period is said to have ended, their novels were heavily influenced by Romantic literature they had read as children. Byron, Keats, and Shelley all wrote for the stage, but with little success in England, with Shelley's The Cenci perhaps the best work produced, though that was ...
Pages in category "British romantic fiction writers" The following 64 pages are in this category, out of 64 total. This list may not reflect recent changes. *
British romance films (11 C, 109 P) N. British romance novels (1 C, 153 P) T. British romance television series (5 C) Pages in category "British romantic fiction"
Notable novelists who specialise or specialised in writing romance novels include: [note 1 A. Laura Abbot [1] Hailey Abbott; Shana ...
Mihai Eminescu (a Romantic for part of his career; poet, short story writer, essayist) Nicolae Filimon (novelist and short story writer) Ion Ghica (essayist and memoirist) Andrei Mureşanu (poet) Costache Negruzzi (short story writer) Alexandru Odobescu (short story writer) Bogdan Petriceicu-Hasdeu (historian and playwright)
The decadent movement was a response to the perceived decadence within the earlier Romantic, naturalist and realist movements in France at this time. [52] The decadent movement takes decadence in literature to an extreme, with characters who debase themselves for pleasure, [ 53 ] [ 54 ] and the use of metaphor, symbolism and language as tools ...